Since
I last posted, I’ve been to WoMaMu (Women Making Music) and FAR-West
Folk Alliance. I’ll report on the Folk Alliance Regional West Conference
first, while it’s fresh in my mind. It’s a conference on folk and
acoustic music as a profession, with workshops during the day and
showcases nearly all night. The juried showcases run from 6:45 p.m. to
10:30, the guerilla showcases run till 2 a.m. and then the jamming
starts. Actually, there was jamming in the halls most of the time. The
YouTube workshop turned out to be for PC, not Mac, so it was only
moderately useful, and I missed the one on Appalachian music, but I
really enjoyed the one where two friends who had never written a song
with each other before, and with no preplanning, collaborated on writing
a song before our very eyes. They noodled around and let ideas for
music and words float to the surface and caught the ones they liked and
fit them together, re-shuffled, re-wrote, and came up with a song. I
suppose that’s the way I work inside my head on lyrics, but then I send
them semi-finished to a tune-writing friend and we work together usually
by email to adjust lyrics and tune to each other. They were doing it
all at once and in public.
Faith Petric
I’d
never been to any Folk Alliance before. I was there at FAR-West’s
invitation, to help present the Lifetime Achievement Award to Faith Petric, and here’s a part of my introduction of Faith:
My mother used to say she had the mark
on her door—the one that let people carrying guitars know they were
welcome. Faith Petric has that same mark on her door but she has
something else—an easy hospitality that has made her big house on
Clayton the center of the Bay Area folk community since forever. But I
am old enough to remember a time before
the SFFMC settled in at Faith’s house for their every-other-Friday
meetings. I was an undergraduate at Cal, and sometimes I’d go with my
mom, or without, to somebody’s place, whoever was hosting the gathering,
and I must have seen Faith at one or another of those, but the first
time I remember talking to her was in 1957, just after I’d graduated. I
know the date because that was my year of exile from the Bay Area. I was
living in Sacramento and coming down to Berkeley every other weekend
for some cool—both literal and figurative. I ran into Faith at some
event and she invited us to stay at her house anytime. Well, we always
stayed with my folks, but the thing is, that was not just one of those
“Oh, you must come over sometime” invitations. She meant it and we knew
it. . . .
Faith’s
is not just a place where you try out your new licks and your new
songs, it’s a place where you meet people who change your life. It
happened to me. I went to a house concert Guy Carawan was giving at
Faith’s house around 1974. Guy heard I was telling stories and he said I
should come down to Highlander, where he lived and worked, and go with
him and his family to Jonesboro, farther east in Tennessee, to the
National Storytelling Festival. I accepted. And at that festival, the
scales fell from my eyes, and I knew that I was not meant to be a
librarian telling stories, but a storyteller. I came home, quit my job,
bought a van and hit the road. We might have had that conversation in a
concert hall or a club, but it was more likely at Faith’s.
I
wrote a song for Faith’s birthday, I think it was her 75th, but I
didn’t date the lead sheet. The last line of each verse repeats, so
please join in.
She has a heart as big as a house and a house that’s bigger than most.
So fill up your glass with whatever you like and prepare to drink a toast
To the Faith that keeps us going, we hope for a long, long time,
And the love she gives with cups of tea and hugs and rhythm and rhyme.
She’s got a house and a dog and a cat and a bed and a pretty good car.
She’s got some records and a record machine and of course she’s got a guitar,
So she told us not to bring presents, and I don’t want to do it wrong,
But I didn’t think she’d yell and scream too much if I gave her a pretty good song
By
the time of Faith’s 90th birthday, so many people had written songs
about her that Laurie Vela put together a whole CD of them. Just goes to
show how many lives Faith has affected, and how deeply. . . .
I finished by leading Malvina’s “Bring Flowers,” which Faith has sung for lots of people.
One
of the sponsors of the conference gathered a bunch of us for dinner
Saturday night. I sat next to him part of the time, and that was a treat
in itself because he tells good stories. I sat near the recipients of
two of the three awards, Faith and Joe Craven
(who got the performer’s award, but he is totally an educator too, and
mad maker of musical instruments out of junk). I sat across from two
members of Calaveras, so I went to their showcase. One of their songs
knocked me out: “Ready to Fly.”
It’s the title song of one of their albums (I’ve ordered it!) and you
can hear a bit of it on their website. They told us it came out of
performing at a facility for people who need total care but not
treatment, so it’s not a hospital. A lot of the patients will only leave
the place feet first. After the trio sang there, they talked to some of
the people, and a year later they put together this song from the
stories they heard. It reminded me of being in Threshold Choir. Actually I’m ordering two CDs, one for Kate Munger.
The
other song I fell in love with was Tracy Newman’s “It’s All Coming Back
to Me Now” about driving a gaggle of teenage girls to school mornings.
She didn’t write it till her daughter was twenty-six, and the Wordsworth
quote, “Art is great emotion reflected in tranquility,” comes to mind.
You can hear the whole song here, but you’ll have to imagine Tracy’s smile.
I skipped the contra-dancing, but maybe next year in San Jose—if I
go—my wrist tendonitis will be over and I’ll do some. The hotel had a
pool that opened at five a.m., so I got a swim in on Sunday before
anything started. I hate it when a hotel pool doesn’t open till nine,
which is when meetings usually start. This place (the Hyatt near the
Orange County airport) also provided pens in the meeting rooms, so I was
able to pick them up faster than I lost them.
The weekend before, I went to WoMaMu
at Bishop’s Ranch retreat center west of Healdsburg with my daughter.
Claudia was supposed to go, but caught a bad cold at the last minute. I
managed to get a little of everything in, uke workshop, improv, chorus,
naps, Bananagrams. I walked the labyrinth and in the middle found what I
thought was a piece of trash. Being a good Camp Fire Girl, I picked it
up, only to find it was a piece of what holds the universe together,* so
I put it back.
Judy and me singing “I Think of a Dragon” at the Open No-Mike at WoMaMu in our Halloween costumes.
The Ranch House, where we stayed.
The
Organic Women’s Chorus (local and seasonal music) acquitted itself
well, and we learned a new song I didn’t know and now love: Bruce
Cockburn’s “Mystery.” Here’s a photo taken by our chorus leader, Marianne Barlow, of three women’s choruses learning songs from each other:
Here’s
Marianne’s photo of the mist lying in the valley. In the distance, the
mountain (Mt. St. Helena) I used to lead campers up when I was a
counselor at Kilowana Camp Fire Girls camp back in 1953-54.
We
enjoyed this scene from the porch of the dining hall each morning when
we lined up to go in to breakfast. The Dutch apple pancake the last
morning was outstanding. If you are a woman and enjoy music, consider
joining us. Doesn’t matter if you make music or not, you’ll love camp.
Here’s an amazing set of photos calling for 350 parts per million of CO2
in the atmosphere. The “3” was formed by Israelis in Israel, the “5” by
Palestinians in Palestine, and the “0” by Jordanians in Jordan, all
standing on the shores of the shrinking Dead Sea.
*duck tape
©2009 by Nancy Schimmel
http://tracynewman.blogspot.com/